Our first shot, an over-the-shoulder shot of the protagonist, shows the character walking down the corridor, away from the camera which stays fixed where it is. By showing the character looking down the corridor, we established the scene, making it obvious the environment the character is in.
To continue following the protagonist down the corridor, we incorporated this long-shot in order to conform to the 180 degree rule whereby one dosen't immediatly switch from showing a character from the back to showing them from the front, to avoid confusion to the audience. Instead a shot of the character from the side is placed between the two shots.
We then continued our following the character down the corridors by showing him from the front. This was the first time the face of the protagonist had been seen and so allowed us to convey him as nervous through facial expressions and body language.
We then used a cctv type shot to continue tracking him down the corridor, as he turns a corner. This interesting shot reflects the office environment in which the film takes place.
The shot before this one, although not drawn would show the character opening the door from behind him, linking directly into this shot - the door opening and revealing the character from the front. This again allows us to incorporate facial expressions and body language as he walks into the room.
We chose to use an over-the shoulder shot to show the lines of dialogue and to introduce the antagonist. We framed the shot in such a way that the antagonist is initially hidden behind the protagonist and is only revealed as he sits up after the protagonist has finished talking.
We then used a long two-shot to show the antagonist grab the protagonist by the shirt as he prepares to throw him from the room. The framing of the shot allowed us to show the facial expressions of both characters and make clear to the audience what was happening.
This is the shot which shows the protagonist being thrown from the room. However, the shot does not actually show him being thrown, but rather appearing from behind a wall, after being thrown. This prevented any potential accidents or difficulties arising from having one actor throw another actor. We would then show the protagonist lying on the floor pen in hand, although this was missed from the storyboard.
We then have a relatively long sequence showing a close-up of the characters face as he walks away. We made the protagonist have a smug expression as he walks away from the scene due to his achieval of his goal.
After a number of shots showing the character walking down the corridor, we have the protagonist turn towards the staircase in preparation for the final shot while still retaining continuity.
We end the film with the character jumping down the staircase in celebration. Before the character hits the floor, the shot will freeze and fade to black, ending the film.
